African music as found in the western half of the continent has an overall shape despite major distinctions from north to south. This music came (Continue Reading)
African music as found in the western half of the continent has an overall shape despite major distinctions from north to south. This music came (Continue Reading)
Joseph Holloway writes in Africanisms in American Culture that the slaves brought with them their musical culture. That resulted in them reshaping the European American (Continue Reading)
Sitting here listening to a series of performances of Agbadza, the ever popular Ewe dance music, I realized the nature of that pulse, what many (Continue Reading)
A Togolese heavy metal group is making itself known. Heavy metal is associated more with White audiences in the U.S. and even has an association (Continue Reading)
Take a rhythm in any current song of the Americas and Europe. Trace it back until it disappears. Where was that last point found? Take (Continue Reading)
A couple of nights ago I had put on a CD of rhythm and blues. My wife and I began slow dancing between the kitchen (Continue Reading)
For decades, going back to W.E.B. Dubois writing in The Atlantic , African-Americans have told of the double consciousness they carry within: who they are (Continue Reading)
The title of a 2013 blog item here dealt with that sense that musicians may be “plugging in” to a force field for the energy (Continue Reading)
When artists bypass rules and structures, their work can sound chaotic to anyone expecting the traditional patterns of rhyme, harmony, rhythm, tone, pitch, scale, mode, (Continue Reading)
Square dancing is directed by a “caller,” a person who calls out the next move: do-si-do, swing your partner, etc. I thought of that when (Continue Reading)
After four centuries, most Americans can identify a piece of music as African-American. Not necessarily performed by African-Americans but in the African-American tradition. Why is (Continue Reading)
Looking at the history of Western music, certain individuals stand out as musical geniuses: Mozart, Bach. We recognize this phenomenon and marvel at it. These (Continue Reading)
In my household right now we have 4 levels of cultural exposure. My wife was raised in a Black Pentecostal church, came from a small (Continue Reading)
Musicology in the West has relegated popular music to the non-serious realm. Therefore, African scholars, branded and sanctioned by metropolitan universities and departments of musicology, (Continue Reading)
Reading Sam Floyd, my suspicions rise over terms like “cultural memory.” I recall a disturbing conversation with a Prof. Woods, chairperson of the art department (Continue Reading)
I sent this in when the program requested testimonials for a grant. The music of Africa has formed the base of a good deal of (Continue Reading)
The first 3 have the pulse I am talking about. I have used examples without vocals and the last two are nothing but drumming. The (Continue Reading)
“Show” is not the best word. Thinking about African Diasporic music and the issue of the pulse, I was reminded of the issue of acquisition (Continue Reading)
You might notice how in many forms of African-derived music, a melody- and harmony-driven music will over the course of the piece devolve into domination (Continue Reading)
https://www.youtube.com/watch?v=ABLwmYI09Lw&t=422 At about 7:05 on this you will hear the horns take over and then play any recording of the music deeply written about by (Continue Reading)
Western Europe and West Africa have a lot in common in their musics and musical traditions but are also clearly distinct. Both regions and traditions (Continue Reading)
One of the hallmarks – no, the sine qua nons – of the music of West Africa and the African Diaspora is what is popularly (Continue Reading)